Download American Cinema of the 1910s: Themes and Variations (The by Charlie Keil, Ben Singer PDF

By Charlie Keil, Ben Singer

It was once through the youth that filmmaking really got here into its personal. Studios migrated to the West Coast, setting up a connection among moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s discover the fast advancements of the last decade that begun with D. W. Griffith s unmatched one-reelers. through mid-decade, multi-reel characteristic motion pictures have been profoundly reshaping the and deluxe theaters have been outfitted to draw the broadest attainable viewers. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks turned very important and corporations started writing high-profile contracts to safe them. With the outbreak of global conflict I, the political, financial, and business foundation was once laid for American cinema's international dominance. through the tip of the last decade, filmmaking had develop into a real undefined, entire with vertical integration, effective specialization and standardization of practices, and self-regulatory corporations.
Some of the movies mentioned during this quantity are: The Lonedale Operator, site visitors in Souls, The Perils of Pauline, The beginning of a kingdom, The Cheat, Intolerance, and female and male.

Show description

Read or Download American Cinema of the 1910s: Themes and Variations (The Screen Decades Series) PDF

Similar culture books

1963: The Year of the Revolution: How Youth Changed the World with Music, Art, and Fashion

Ariel Leve and Robin Morgan's oral historical past 1963: The yr of the Revolution is the 1st ebook to recount the kinetic tale of the three hundred and sixty five days that witnessed a demographic energy shift—the upward thrust of the formative years Quake flow, a cultural transformation via song, style, politics, and the humanities.

The Culture of Yellow: Or, The Visual Politics of Late Modernity

This is often the 1st booklet to discover the cultural importance of the colour yellow, exhibiting how its mental and aesthetic price marked and formed the various highbrow, political, and creative currents of past due modernity. It contends that yellow services in this interval essentially as a colour of stigma and scandal.

Culture of Animal Cells: A Manual of Basic Technique and Specialized Applications, Sixth Edition

This can be the 6th variation of the best textual content within the simple technique of mobile tradition, all over the world. conscientiously revised, it gains updates on really good innovations in stem telephone learn and tissue engineering; updates on molecular hybridization, somatic phone fusion, hybridomas, and DNA move; new sections on vitrification and Organotypic tradition, and new chapters on epithelial, mesenchymal, neurectodermal, and hematopoietic cells; germs cells/stemcells/amniocytes; and non-mammalian/avian cells.

The Culture of Reconstruction: European Literature, Thought and Film, 1945–50

The interval following global struggle II used to be considered one of excessive cultural task as writers, artists and film-makers tried to reply to the drama of the war-experience itself and to the projects of ecu reconstruction. Italian neorealist film-makers, the hot iteration of West German writers and the exponents of dedication in France exploring new instructions in cultural task and laying the floor for a brand new ecu renaissance.

Extra resources for American Cinema of the 1910s: Themes and Variations (The Screen Decades Series)

Example text

At nickelodeons, moviegoers came to know on which days of the week new films from their favorite companies were shown; the most popular were from Vitagraph and Biograph. Sadly for today’s viewers, a huge fire in July at Vitagraph’s Manhattan studio ignited the company’s entire twelveyear library—one factor in the poor survival rate now of Vitagraph films (“150 Trapped”). This was also the year when the monopolistic Motion Picture Patents Company—known to most simply as “the Trust”—was at its most powerful, but behind the scenes came the first hints that the industry was already growing out of its control.

The earliest experiments in the exhibition of feature films took place in 1912, when a handful of historical-biographical epics based on successful plays such as Queen Elizabeth, Cleopatra, and Richard III were screened in rented legitimate theaters. The publicity and commercial success they enjoyed led to a seven-fold increase the following year, when 56 features were made by American companies, and again in 1914, when almost 350 features were produced. Still, those numbers were insignificant next to the roughly 5,000 shorts that were released each year (Singer, “Feature”).

Previously the camera was seldom close enough to the actors to allow for such subtlety. To our eyes, the typical framing of actors this year—with two-thirds of their bodies usually in view—still seems distant, but the camera was now close enough for audiences to read actors’ lips, as is indirectly evident from a December front-page story in the New York Times headlined “Object to Film Profanity”: “Deaf mutes are complaining against the use of profane and indecent expressions by players in moving picture films .

Download PDF sample

Rated 4.05 of 5 – based on 26 votes