By Edward W. Said
During this interesting booklet, Edward acknowledged appears on the inventive contradictions that frequently mark the overdue works of literary and musical artists. stated exhibits how the impending loss of life of an artist could make its manner into his paintings, analyzing essays, poems, novels, motion pictures, and operas by means of such artists as Beethoven, Genet, Mozart, Lampedusa, Euripides, Cavafy, and Mann, between others. He uncovers the conflicts and complexity that frequently distinguish creative lateness, leading to works that stood in direct distinction to what was once renowned on the time and have been forerunners of what used to be to return in each one artist's discipline--works of real genius. Eloquent and impassioned, brilliantly reasoned and revelatory, On overdue variety is Edward Said's personal nice final paintings.
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Additional info for On Late Style: Music and Literature Against the Grain
At that time, cancer was a truly hopeless diagnosis, and many doctors were defeatist about it. ’ ” he said. It may be that lack of hope leads to inertia and apathy, but as I dug deeper, I found even more reasons therapeutic hypothermia has been slow to catch on. Here’s one that will probably make you angry: using hypothermia might be inexpensive and effective, but it isn’t nearly as simple as rolling out a new miracle drug. In this case, being inexpensive is not necessarily an asset, but a potential liability.
That is precisely what we are going to explore in this book: the possibility of cheating death. As the ambulance screeched away from the curb in front of Bally’s Total Fitness, Barazanji was in the gray zone—not dead but not quite fully alive, either. Millions of cells in his heart were already dead, suffocated by a lack of blood flow. It was too soon to say whether the damage was enough to cause a broader failure, similar to the collapse of a wall from which termites have taken one too many nibbles.
They were also prone to strokes and other types of internal bleeding, since blood that is chilled doesn’t clot as well. Most of those early cardiac patients would get better in the short term, but then eventually die of pneumonia. The problem was that in the 1940s, there were no artificial ventilators, so comatose patients had to breathe on their own and their lungs often filled with various secretions. On top of that, hypothermia tends to suppress the immune system, so these patients would develop fatal infections.